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Maurice OHANA
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| MIROIR DE CÉLESTINE harpsichord and percussions (1990) |
14'52 | |
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| 1 | Le jardin des délices | 3'17 |
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| 2 | Miroir du désir impossible | 1'48 |
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| 3 | Miroir des sorts | 1'27 |
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| 4 | Jardin de nuit | 1'48 |
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| 5 | N'gangô | 4'31 |
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| 6 | Miroir d'oubli | 2'01 |
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| DEUX PIÈCES POUR CLAVECIN (1982) | ||
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| 7 | Wamba | 5'48 |
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| 8 | Conga | 4'54 |
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| 9 | SO TANGO (1991) |
3'13 |
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| 10 | SACRAL D'ILX harpsichord, oboe and horn (1976) |
13'20 |
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| 11 | CARILLONS POUR LES HEURES DU JOUR ET DE LA NUIT (1960) |
6'58 |
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| 12 | TIENTO (1955) |
4'46 |
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| 13 | SARABANDE harpsichord and orchestra (1950) |
7'06 |
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| according to Timpani - timpani@wanadoo.fr |
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| Contact us --- © 2003 MultiMédia Services |
Elisabeth
Chojnacka is recognised by critics word-wide as an extraordinary artist. She is considered to
be the best modern harpsichord performer and is praised for her "torrid and passionate
harpsichord playing", her "energy and passion", her "amazing rhythm",
her "prodigious and insolent style", and for her "profound musicality".
Working with Elisabeth Chojnacka and thanks to her, many of the greatest composers have discovered
"how fantastically unique this old instrument still is".